Then I use VCA faders to make subtle automation changes to fit the final mix. I frequently automate major shifts or corrective leveling on the track fader itself (such as automating fader to keep level constant, or lowering a vocal group by a couple of db during a chorus that is double tracked, or raising during a chorus that isn’t double tracked, etc.). this gives a second layer of ‘trim faders’. I personally like that vca groups don’t move the actual faders. So if I lower the vca for the vocals, it will lower the bus as well. So for example, if I hve a vocal reverb I send that bus to the same vca fader as the vocal tracks. My trick is to send the effects bus for a group to the same vca fader.
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